Lush and orderly gardens of trimmed shrubs and bamboo stalks separate this space. The spiritual ecology of the Kamakura great temples transforms those who enter with vespering mist that surrounds and awakens participants into a hyper-lucid green-dream. I whited-in while blanketed in the shadow of a lumbering pagoda, a silver polished pond rimmed with neon moss deflecting the pin-drops of rain all around me. My hippocampus was overloaded with the novelty and sheer magnitude of these multidimensional monuments. The peace I found on the meticulously maintained temple ground came in part from the reverence of human accomplishment of harmony in the face of a chaotic and cruel world. The resident monks’ daily chores were testaments of patience, ability and skill, all the while the non-action of massive temple structures plainly stated the capabilities of diligence. It was overwhelming. I took a nap on the stoop of a monastic dorm.
The shrine and the temple are two very different things. The temple is a place of self cultivation, community and purity; the shrine is a playground for superstition. Accessible only through a narrow tunnel entrance, a rocky grove encloses an assortment of colorful, odorous, quirky, and sensual Shinto activities. A maze of wooden Tori gates leads to an icon adorned with various ornaments to whom people offer money and prayers. A red bridge crosses a small pond, home to an albino coy-king and his consorts who are fed by passerby and housed by a spouting waterfall. A fish, not knowing life above water nor realizing his utter dependence on it darts fro’ and to’; a small hole in a rock, five meters above the pond’s surface, serves as the source of his aquatic realm and of his very life. From above us the water falls and through us it courses. We never know from where it flows and we never need to. Who or what feeds us is a benevolent mystery.
Large iron pots filled with the dust of burning incense sends plumes of smoke into
Then, as though polarized in silliness by the lighthearted novelty of the shrine, I had a moment where my heart froze as my breath burst in my guts. The colossus of the iron Daibatsu (Great Buddha) is beyond my expectations. Not kitsch or over-commercialized, the iconic enlightened one emanates a hard aura of metaphysical persistence. The clear skies overhead coupled with the rock solid signpost to clarity of thought was like a tide of hot alkaline water washing the gunk of dispassion and laziness from my eyes.
On a different note (in that order):
It is fun being different here. Red is my new favorite color. I have red pants. I don’t feel that this place has changed me per-se, it is more that I have always been a black sheep and am only given the freedom to enjoy my out-standing-ness fully when I have no other option. I couldn’t blend in here if I tried for the rest of my life.
As the wind blows the trees rustle, the rocks clank and tumble, the valleys bellow and the wings flutter. The reeds of different length whistle different notes and together this grand orchestra enlivens the universe. A melodic harmony is achieved through variation in pitch and voracity. We understand the different sounds made by the pipes of earth but cannot grasp the animating fact that the winds are the pipes of heaven. Only by the silent blowing of the wind can we hear the tangible variations composed by the eternal maestro.